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Jerry Saltz

Jerry Saltz | power

Rumors sound of galleries asking artists for upsized art and more of it. I’ve heard of photographers asked to print larger to increase the wall power and salability of their work. Everything winds up set to maximum in order to feed the beast.

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Jerry Saltz politics

Jerry Saltz | politics

I’ve always said that an art critic can put aside politics around art.

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Jerry Saltz music

Jerry Saltz | music

When people in stadiums do the Wave, it’s the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the joy of seeing the rhythms of many as one, a visual rhyming or music in which everyone senses where the motion is going.

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Jerry Saltz movies

Jerry Saltz | movies

My nominee for Best Picture of the year – maybe the best picture ever, because it’s essentially made up of and is an ecstatic love letter to all other movies – is Christian Marclay’s endlessly enticing must-see masterpiece ‘The Clock.’

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Jerry Saltz morning

Jerry Saltz | morning

‘The Panorama’ is also the last place anywhere in New York where the World Trade Center still stands, whole, as it stood in the early morning of September 11. I can also see the corner where I saw the first tower fall and howled out loud. Seeing the buildings again here is uplifting, healing.

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Jerry Saltz money

Jerry Saltz | money

Art is for anyone. It just isn’t for everyone. Still, over the past decade, its audience has hugely grown, and that’s irked those outside the art world, who get irritated at things like incomprehensibility or money.

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Jerry Saltz money

Jerry Saltz | money

Now people look at ‘The Scream’ or Van Gogh’s ‘Irises’ or a Picasso and see its new content: money. Auction houses inherently equate capital with value.

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Jerry Saltz money

Jerry Saltz | money

When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days – museums have to bring in money – but they gobble up space and push the art itself far away from the entrance.

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Jerry Saltz money

Jerry Saltz | money

I love art dealers. In some ways, they’re my favorite people in the art world. Really. I love that they put their money where their taste is, create their own aesthetic universes, support artists, employ people, and do all of this while letting us see art for free. Many are visionaries.

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Jerry Saltz money

Jerry Saltz | money

Much good art got made while money ruled I like a lot of it, and hardship and poverty aren’t virtues. The good news is that, since almost no one will be selling art, artists – especially emerging ones – won’t have to think about turning out a consistent style or creating a brand. They’ll be able to experiment as much as they want.

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