The day came when she discovered sex, sensuality, and literature; she said, ‘I submit! Let my life be henceforth ruled by poetry. Let me reign as the queen of my dreams until I become nothing less than the heroine of God.
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When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.
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A woman must prefer her liberty over a man. To be happy, she must. A man to be happy, however, must yearn for his woman more than his liberty. This is the rightful order.
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Ô, Muse of the Heart’s Passion,let me relive my Love’s memory,to remember her body, so brave and so free,and the sound of my Dreameress singing to me,and the scent of my Dreameress sleeping by me,Ô, sing, sweet Muse, my soliloquy!
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It’s not that we have to quit this life one day, but it’s how many things we have to quit all at once: music, laughter,the physics of falling leaves, automobiles, holding hands,the scent of rain, the concept of subway trains… if only one could leave this life slowly!
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I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)… ‘I spoke to three scholars,’ [the character says ‘at last.’] …two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]’ …I can see that he’s excited. [narrator]’ …Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a ‘literary’ writer based on this quote. A ‘literary’ author knows that a character’s excitement should be ‘shown’ in his or her dialogue and not in the narrator’s commentary on it. Advice for Coelho: Remove the ‘I can see that he’s excited’ sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho … Just think! He is a man who has achieved, (as Leonard Cohen would call it), ‘a remote human possibility.’ He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!
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Cities were always like people, showing their varying personalities to the traveler. Depending on the city and on the traveler, there might begin a mutual love, or dislike, friendship, or enmity. Where one city will rise a certain individual to glory, it will destroy another who is not suited to its personality. Only through travel can we know where we belong or not, where we are loved and where we are rejected.
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When no possessions keep us, when no countries contain us, and no time detains us, man becomes a heroic wanderer, and woman, a wanderess.
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