If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn’t too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.
Jerry Saltz | change Read More »
We’re all entitled to opinions about how art institutions should behave, and entitled to voicing those opinions through whatever means available to us. We’re also allowed to change or modify our opinions.
Jerry Saltz | change Read More »
While a large segment of the art world has obsessed over a tiny number of stars and their prices, an aesthetic shift has been occurring. It’s not a movement – movements are more sure of themselves. It’s a change of mood or expectation, a desire for art to be more than showy effects, big numbers, and gamesmanship.
Jerry Saltz | change Read More »
Of course art world ethics are important. But museums are no purer than any other institution or business. Academics aren’t necessarily more high-minded than gallerists.
Jerry Saltz | business Read More »
My nominee for Best Picture of the year – maybe the best picture ever, because it’s essentially made up of and is an ecstatic love letter to all other movies – is Christian Marclay’s endlessly enticing must-see masterpiece ‘The Clock.’
Jerry Saltz | best Read More »
Those who love him love that he sells the most art they take it as a point of faith that this proves Kinkade is the best. But his fans don’t only rely on this supply-and-demand justification. They go back to values.
Jerry Saltz | best Read More »
Jeffrey Deitch is the Jeff Koons of art dealers. Not because he’s the biggest, best, or the richest of his kind. But because in some ways he’s the weirdest (which is saying a lot when you’re talking about the wonderful, wicked, lovable, and annoying creatures known as art dealers).
Jerry Saltz | best Read More »
All of Koons’s best art – the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century’s signature work of Simulationist sculpture), the amazing gleaming Balloon Dog, and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory – has simultaneously flaunted extreme realism, idealism, and fantasy.
Jerry Saltz | best Read More »
The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of them have become the best in the world.
Jerry Saltz | best Read More »